一0三學年度 第 二 學 期 音樂科 一年級 各班教學進度表一0三學年度 第 二 學 期 音樂科 一年級 各班教學進度表

一0三學年度  第 二 學 期  音樂科 一年級  各班教學進度表

  (下學期補充從6-10單元:
http://doingpaper.blogspot.tw/search?q=%E8%A3%9C%E5%85%85%E6%95%99%E6%9D%90
)

學科	音樂科			每週 時數		1	任課 教師		吳海聰
教科用書	書 名	音樂		出版 書局		育達文化	參考 用書
	編 著	王茜雯等
二 月	日	週次	教學預定進度			教學實際進度			備                註
			教材綱要		起迄頁數	教材綱要		起迄頁數
		二	選填學期作業
	23-28	三	準備週 分組活動						5-7節:監考,27-28日放假
	1-7	四	◆第一組:第7單元Q @ A  ▲填寫學期作業選項期 限止			P.120-130
三 月
	8-14	五	▲教學活動與分享   (非洲鼓進階1) ⊙填寫班級合唱曲比賽選曲一首						4/4+5:婦幼節+清明,3-6日補假
	15-21	六	◆第二組:第10單元Q @ A			p.180-195
	22-28	七	第一次期中考						3/23,24:第一次期中考
	29-4	八	▲綜合音樂賞析與介紹   (虛擬樂器進階)						4/1:社團1
四 月
	5-11	九	◆第三組:第12單元Q @ A			p.218-237			4/8:社團2
	12-18	十	▲綜合音樂賞析與介紹 (非洲鼓進階2)						4/15:社團3
	19-25	十一	▲綜合音樂賞析與介紹						4/22:1-3節一年抽考 , 4/22:社團4
	26-2	十二	◆第四組:第13單元Q @ A ★班級合唱比賽採排			p.240-255			4/29:社團5
五 月
	3-9	十三	★作業彩排						5/1日下午:放假(四技考場) 5/6:社團6評鑑
	10-16	十四	第二次期中考						5/13,14:第二次期中考 5/15日下午:放假(國中考場)
	17-23	十五	◆第五組:第16單元Q @ A 合唱前10名之 決賽			p.274-288
	24-30	十六	★才藝表演暨驗收各項學期 作業(一)
	31-6	十七	★才藝表演暨驗收各項學期 作業(二)						6/3.卡拉決賽
六 月
	7-14	十八	★才藝表演暨驗收各項學期作業(三) ☆才藝表演(含其他作業)補考(限已次)						6/10(週三):畢典
	14-20	十九	總複習						5/20:端午,19日補假
	21-27	二十	期末考						6/25,26,29:期末考
	28-30	二十一	期末考						6/30日10:00(校務會議)

 

 

認識東歐的一位天才小提琴家 Patricia Kopatchinskaja(帕催希雅)

15 Questions to Patricia Kopatchinskaja

(http://www.tokafi.com/15questions/15-questions-to-patricia-kopatchinskaja/)

 

She has all the quAalities of a great one, yet you will have to discover Patricia on your own. Roaming your local record store is no good. Googling her won't help. At first, it might seem as though she has somehow slipped through the net of modernism, but nothing could be less true - One of the most intriguing players at present, she has earned a dedicated audience and tons of respect almost entirely without the help of the media and completely without the support of a big record company.

While it remains highly unlikely that her name will ever pop up on any billboards or the cover of a famous news paper, her influence can be felt far across the borders of her circle of friends: Composers are dedicating pieces to her, her live concerts are hitting people right in the heart and her Chamber Music festival has turned a tiny Swiss place (Rüttihubelbad) into a mekka of great music. Maybe it can all be attributed to her consequential stance: From her point of view, an interpretation is a highly personal process, a musical meeting between a composer, a piece and a perfomer - and definitely not an area, where she would tolerate dogmas of any kind. Interestingly enough, the external influences she does appreciate hardly ever come from fellow violinists - she mentions conductor Philippe Herreweghe, singer Cecilia Bartoli and her live-partners in crime (among them some of the finest instrumentalists around) instead. All those unafraid of taking the initiative: This is the artist for you!

翻譯如下:

她有一種獨特的氣質，這只有你自己去發現(譯者同意)，在你家附近的書店閒逛沒用，網路搜索沒用，首先你以為她好像善用現代網路科技，但沒一件是真正的接近真相，有趣的是，在當她成功吸引龐大觀眾擁戴喜愛時，全不是來自媒體或大唱片公司幫忙。當她的名氣水漲船高，頭條新聞不斷跨越國際版面時，她的好友及合作夥伴卻渾然不察地繼續為她寫出細緻作品或室內樂，並且在很多音樂季舉辦了多樣式的音樂會，連瑞士小鎮都為她表演的麥加音樂而瘋狂。這可能是跟她的表演肢體生動有關，根據她本人所描素的:詮釋作品是一種介於演出者與作曲家之間的一種極高度轉換的程序，是一種像與音樂會議的東西，這絕非對局部音樂作處理或用窠臼式方式表演就滿足，她認為外部自所有的合作夥伴音樂家，例如她提到指揮家Philippe Herreweghe、聲樂家Cecilia Bartoli，還有她周遭的死黨(諸多小提琴製造家或修理師傅吧)，這些人對她的提攜她都感覺極具意義與感謝，這些積極主動無懼的因素，成就了你我心中藝術家特質。

帕催希雅照片

1)Hi! How are you? Where are you?
I am now at home with my husband and daughter Alice-Linda, and thank you we all are fine.


2)What’s on your schedule right now?
Next three concerts are a recital with Henri Sigfridsson in Belgium, Kurtag’s Kafka-Fragments with Anna-Maria Pammer in Linz and Hartmanns concerto funebre in Strasbourg, France. 


3)f you hadn’t chosen for music, what do you think you would do right now?
I often would prefer to be a farmer, making vegetables and other really useful things.


4)What or who was your biggest influence as an artist?
My chambermusic partners (Sol Gabetta, Mihaela Ursuleasa), the conductor
Philippe Herreweghe and for music in general Cecilia Bartoli


5)What’s the hardest part about being a musician and what’s the best?
Best part is flying off on stage, worst the anxiety before the performance
and living in hotels. 


6)What’s your view on the classical music scene at present? Is there a crisis?
I am lucky not to feel a crisis personally. But some old-fashioned concert
forms and some self-repetitive performers may feel a crisis.


7)Some feel there is no need to record classical music any more, that it’s all
been done before. What do you tell them?
We are really happy have recordings of Ysaye, Busch, Hubermann, Kreisler,
Casals, Arthur Schnabel, Glenn Gould etc. They needed to be recorded and we
need their records. If someone has something of similar quality to say he
should record.


8)What constitutes a good live performance in your opinion? What’s your
approach to performing on stage?
Well its really the public who has to judge. My mother always said to me,
that I should play as if it was the first and the last time in my life.


9)What does the word “interpretation” mean to you?
Interpretation is the encounter of a musician with a work of art. Its very
personal, nobody else can tell you how to do it.


10)True or false: It is the duty of an artist to put his personal emotions into
the music he plays.
True.


11)True or false: “Music is my first love”
Don’t know


12)True or false: People need to be educated about classical music, before they
can really appreciate it.
False.


13)You are given the position of artistic director of a concert hall. What
would be on your program for this season?
The incredibly virtuoso and charming Indian singer Kaushiki Chakrabarty and
her band, Taraf de Haidouks, the Japanese Otomo Yoshihide’s New Jazz
Ensemble, the singing Pigmies.


14)What’s your favourite classical CD at the moment?
Cecilia Bartoli, any CD.


15)Have you ever tried playing a different instrument? If yes, how good were
you at it?
Piano, - well, sufficient to play not too difficult pieces.




end-




(音樂連結: https://www.youtube.com/watch?v=xr9KmgDFwMc  )

 

音樂科頒發103學年度(上)獎學金名單(2015/1/21)

音樂科頒發103學年度(上)獎學金名單(2015/1/21)

第一第及二名從缺>>>>>

第三名:資一甲     李X蔚 獎學金新台幣500元整

第四名:資一甲     李X慶 獎學金新台幣400元整

第五名: 電機一乙 莊X餘 獎學金新台幣300元整

 

頒獎時間:下學期開學後次周頒獎